And says: "You stupid little runt. I own you. You're my bitch. Now he's got Pellit Jr Colin Farrell, gone slimy , a druggy, whoring scumbag, happy to pollute for cash. So he wants to "trim the fat". Then there's the nymphomaniac dentist Julia, played by Jennifer Aniston, who won't take no for an answer. Unfortunately, he's on the sex offenders list, having been caught peeing in a playground, so he's not going anywhere.
Nor are the others, in this jobs market. One of their friends who worked for Lehmans hasn't found anything in two years and is now going round bars, eagerly offering "hand jobs, 40 bucks a piece" in the toilets. What to do? Kill the bosses, obviously. The obvious is not eschewed. A toothbrush goes where it never should. A Prius plays its part "You go drag-racing in a Prius?
It's not very tightly plotted or precisely scripted but the three leads have lots of obvious camaraderie and energy together - confirmed in a bloopers reel after the end credits - which help to keep the film moving along. It's not for delicate flowers. Kurt, for example, enthusiastically services both the lustful dentist never a plausible strand, this one and the wife of obsessively jealous Harken, at his own birthday party.
It was a stroke of marketing genius for sure — who really likes their employer, me aside? For all its lighthearted gags, and despite the psychotic, pathological tendencies of its victims, Horrible Bosses essentially demanded that our sympathies lie with a group of three would-be murderers — and largely succeeded. In essence, it's another lowbrow, post-Hangover buddy comedy the type of which the world appears to be awash, but Horrible Bosses 2 is a welcome cut above.
It's not so much that the jokes are smarter there are plenty of cringe-inducing moments, often strafing lines of taste and nudging prejudices uncomfortably , but they're simply better- executed, with the writing just about intelligent enough with its silliness. The script marks the third hit in little more than a year from writers John Morris and Sean Anders, following We're the Millers and Dumb and Dumber To, with Anders also sitting comfortably in the director's chair this time around.
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